a video review
Since I was renting the camera - the Sony a7s that is - I figured I might as well record my thoughts on how well it worked with the Steadicam Pilot.
a7s on a Pilot from Man Made Wilderness on Vimeo.
Since I was renting the camera - the Sony a7s that is - I figured I might as well record my thoughts on how well it worked with the Steadicam Pilot.
a7s on a Pilot from Man Made Wilderness on Vimeo.
Not very rigorous, but I think this pretty effectively demonstrates the usefulness of the Mosaic Engineering Anti-Alias filter in the Canon 7D. Watch this fascinating video to see the difference between using the filter and NOT using the filter, with ordinary household objects.
Now that John Burns has composed some wonderful music for the film, it's time to release some of it to the world. This one's gotten the full treatment: full resolution original recaptured; color corrected; Motion created titles.
Already the inevitable "When's it going to be done?" rears its head.
Merely another step along the way, the production phase, or "shooting" if you will, is the most obvious manifestation of one's intent to proceed towards a goal. But the goal - my goal - is not to have an end product, despite the desires and needs of the consumer culture. As Mike Chisholm has pointed out here (scroll down the comments), viewers may not care one jot how much trouble someone went to to obtain an image. All they care about is the power of the final product, whether it be a print in a gallery/museum, or a book, or online. Or more specifically, a finished film to watch. Because really, who cares about my process of becoming a more accomplished image maker? That's something internal to me, of no consequence, except what products I create along the way that are evidence of my process.
My goal is to find out what combinations of talent, personnel, and technology I am capable of.
"Roscoe" will probably be done when I finish working on it. Sharing will come slowly.